Return To Pat Reed Home Page

Historical Newspaper Articles about The Witness

Photo By David Vann of The Hot Springs Sentinel-Record

SIGNING THE LEASE — Hot Springs Advertising and Tourist Promotion Commission Chairman Gary Rutherford second from left, and Ott Beck, president of Witness Productions, second from left, sign a lease between the organizations while Hot Springs Chamber of Commerce Executive Vice President Les Green, left  Mayor Jim Randall, Alderman Carroll Weatherford and Pat |Reed watch, "The Witness," a religious musical drama, will be featured on weekends at the Mid-America Amphitheater.

Article written when the Witness was located in the Mid-America Amphitheatre (editor’s note)

Volunteers make “Witness” Successful

12-A Wednesday, June29, 1988---- Copyright © The Sentinel-Record

    Pat Reed, public relations and marketing director for "The Witness," describes the production's staff as "dedicated to spreading the good news through the use of musicals."

     "The Witness" is an outdoor musical production presented during the summer months at the Mid-America Amphitheatre, located on Bull Bayour Road off S. Highway 270 west.

     The outdoor musical drama is a production in song and narra­tive of the portrayal of the lives of the Apostle Peter and his contemporaries in regard to the life, death and resurrection of Jesus.

     "This musical has been ac­cepted into the Hot Springs area beautifully," Reed said. "When the production first came into being in Hot Springs, it was a traveling musical show. We traveled to reach the peo­ple. Now, it has been so well received by the public that peo­ple are traveling from all over the United States to reach us. It's a good feeling." 

     The original "Witness" pro­duction was created as a travel­ing show to spread the gospel through England and Europe. The producers, Jim and Carol Owens of Lindell, Texas, were called to create a preaching in­strument for European coun­tries.

     Missionaries from churches were not allowed to enter many counties to preach the Bible, but musicals were permitted.

     Therefore, "The Witness" was written and used as a "gospel tool" to tell Europe the New Testament story. "The Witness" toured England for one year with Pat Boone after which it toured Europe and Asia.

     Christian Ministries Church of Hot Springs first brought "The Witness" to its home community as part of a seminar hosted by Hettie Lou Brooks, pastor of the church.

     "This performance struck the hearts of many," Reed said, "es­pecially a woman named Judy McEarl of Hot Springs. She was so overwhelmed by the idea of a musical ministry, that she orga­nized a large group of volun­teers who began to perform the musical as part of a weekend traveling show."

     This traveling show lasted ex­clusively as such for five years with presentations made to col­leges, churches and prisons. In 1986, it was decided to make the performance a semi-permanent attraction in Hot Springs. It is semi-permanent because even though the Mid-America Am­phitheatre is the home stage for the production with regularly scheduled performances, the road tour continues now for prisons only.

    "The Witness," a non-profit organization, is performed at Mid-America Amphitheatre on Friday and Saturday nights. On Labor Day weekend it will be performed Friday, Saturday and Sunday

    To succeed with such a large production we rely upon the help of many volunteers, up to 125 to be exact," Reed said. "Vo­lunteers, ranging from ages four to 80, are responsible for setting up the stage, cleaning the am­phitheatre, running the light and sound systems, selling tick­ets, ushering guests to their seats, building props, running concession stands, parking cars and even tearing down the en­tire set when the season is over. And this is just a partial list.

     "The actors and actresses are also volunteers who dedicate countless hours to rehearsals and actual performances. Even when the season is over, volun­teers continue their hard work in making new costumes, repair­ing the old, building new props and the such."

    Advertising and marketing the show is another big part of the business which continues for 365 days of the year, Reed said. "It would be impossible to count the amount of volunteer hours that have been donated to this worthwhile family enter­tainment production," she said.

     Reed, along with assistant Ann Stanage, logs in more than 100 hours per week in market­ing efforts.

     The production has blos­somed in the past few years as ticket sales increase and audi­ences pack the amphitheatre during the summer months, Reed said.

     All of our ticket proceeds are placed directly back into the production," Reed said. "There is always some expense even though the majority of our materials are donated. Our biggest expense is brochures. And even though we've seen some rough days financially, the volunteers keep their spirits up and we al­ways seem to pull through."

     Another production of the Owens, "Ant Hillvania," will be performed by volunteers at the amphitheatre July 21 and 28, Aug. 4, 11, 13, 18, 25 and Sept. 1. The production is a children's story of the prodigal son told from an ant’s viewpoint.

     "One key to keeping volun­teers motivated is positive feedback on results," Reed said.

    "Anyone who sees the play says "good job." But when we get the nod from the production creators, we truly feel blessed.

    "Such was the case when the Owens first witnessed our por­trayal of their production. They stated, 'This was the most pro­fessional and spiritual performance of our production that we have ever seen.' A pat on the back from the creators is all anyone would need to generate the motivation and to keep going."

 

SUNDAY, AUGUST 17, 1997

Copyright © Little Rock Newspapers, Inc.

The Witness makes its move to Hot Springs' Panther Valley Ranch for a larger venue and bigger audiences.

BY JACK W. HILL

ARKANSAS DEMOCRAT-GAZETTE 

    HOT SPRINGS — When The Witness, an outdoor musical passion play, lost its home at the Mid-America Amphithe­ater a year ago, some people in Hot Springs thought the show was history, done for, kaput. Some of the doubters probably thought it would take a miracle

    They were wrong and they were right.

    The people who kept The Witness up and run­ning for 15 years were not about to give up without a fight. They say it was a miracle that they found a new home in the Ouachita Mountains and got the show up and running again in just 2'12 months.

    "We did our last show at Mid-America in Octo­ber, and we were praying about whether it was time for this to be over with," says Judy McEarl, the show's musical director and president of its board of directors. "If it was time, we were ready to lay it all down and just take the show back to prisons, which was how we got started.

    "But then we got a phone call in April from Roger and Jerri Stanage, the owners of the Pan­ther Valley Ranch. They said they had 100 acres and would like to build an amphitheater with us."

    Thus began some of the most frantic weeks of wheeling and dealing and working that McEarl and Pat Reed, her longtime pub­lic relations/marketing director, could have ever imagined. Lucki­ly for them, Stanage is a mechani­cal engineer and was ready and willing to supervise the volun­teers it would take to carve out a hillside and convert it into an am­phitheater overlooking a former horse arena, where the stage would be built.

    Panther Valley Ranch is a tourist attraction in its own right, with guided trail rides, hayrides, hiking, perch fishing, camping and a lodge.

    "Someone could bring a youth group and combine camping out or staying in the bunkhouse with seeing The Witness at night," Reed says. "We are a ministry, but we know that we can play a part in helping the tourism industry in Hot Springs and for Arkansas, also."

A NEW MIRACLE

    "Every day we've seen a new miracle here," McEarl says. "A man saw an article in the Hot Springs Village newspaper about us and he came out here and wrote a check for $5,000, and he had never even seen The Witness. Another man came out and wrote out a $7,000 check for camels and says we could keep them at his farm in the off-season. We've just had stuff like that happen every day; it's just phenomenal."

    Once the plans were set, work­ers, paid and volunteer, wast­ed little time in getting things up and ready. Teddy Short was in­valuable in the whole process, McEarl says, along with John Jenkins, who lent his excavating company's expertise when it came time to provide dirt and arrange it just so.

    The workers converted a heavily wooded hillside into tiers, then concrete was poured to create platforms for seating for 1,400 people. Down below, a stage more than twice as large as the former one was built. The eastern gate to the city of Jerusalem is part of the back of the stage, a "Roman wall" 135 feet long, with three archways, along with the corner of a syna­gogue with columns, purple draperies and an upper room. There's a lagoon for scenes fea­turing fishermen and the baptism of Jesus. Speakers are hidden here and there so that the sound carries throughout the arena.

    The 100-member cast works to­gether to tell the story of the life of Jesus Christ, with the Apostle Peter as the narrator.

    "I sat out here recently in front of the Roman wall, with the trees all around and the backdrop of the mountain behind it, and it's more beautiful than we ever could have imagined," McEarl says.

ANIMAL MAGNETISM

 

    Sheep, goats and horses are part of the cast, and in a stroke of good luck, the two sought-after camels arrived just before the first show started July 25. The work was barely finished before the first-night crowd and the ac­companying local dignitaries be­gan arriving.

    "We were pouring the last of the gravel for the parking lot with 15 minutes to spare," Reed says.

    Not everything came off with­out a hitch on opening night.

    "The purple curtain that was at the temple came down at one point in the performance and showed the mud-mixer and the porta-potty," McEarl laughs. "We don't have any dressing rooms yet; we had to make sure to take care of the public first. Right now ev­eryone is having to come to the show already in costume and makeup."

    The show had a 12-year run at the Mid-America Amphitheater, after starting three years earlier as a prison ministry. With hun­dreds of shows under their belts, McEarl and Reed say they could recall only two or three rain-outs in the dozen years the show was presented there.

    "We lasted longer than what was in there originally, the story of Hernando DeSoto. Then they had some other things, like `Papa Bear, Mania Bear.' What happened, finally, was the city sold it. We bid on it, but we didn't have the highest bid."

    McEarl and Reed say there have been few changes, except for the larger area, twice the space.

    "We have a rotating cast and crew of 200 and they're all volun­teers except for three paid posi­tions," McEarl says. "There are 44 different churches represented in those 200. To have that many churches working together is nothing short of a miracle in it­self."

    New singers and actors join the cast each year, she says, with 20 percent to 30 percent of the newcomers joining the holdovers, who add continuity and experi­ence.

    "We have a young man on stage singing bass who was once one of the children who danced across the stage with a donkey that was carrying Jesus," McEarl says. "It's a real generational thing, too. We'll have a grandmother taking tickets, a mother singing on stage, the father playing a guard or working as a tech, and maybe their baby has the role of Baby Je­sus.

    "Some people are out here ev­ery Friday and Saturday night, some are here just on Friday or Saturday, or maybe every other weekend, or whenever they can be here. We take their schedule and work with it."

HELPING HAND

   McEarl says, "The Witness differs from The Great Passion Play in Eu­reka Springs in a couple of important respects."

    "We're a musical and [at Eure­ka Springs] they present the story from a historical aspect, with nar­ration. They have phenomenal props and we consider them a sis­ter production to us. They had been going on for many years when we started and some of their leaders came down and ad­vised us of the pitfalls to avoid. There is no competition and we're very supportive of each other. We have the same goal — presenting the gospel."

    Jimmy and Carol Owens, who were originally from Texas, wrote The Witness in the late 1970s for European productions where mu­sic was more acceptable than ministers, Reed says. McEarl, a music-loving math major in col­lege who sang in the Arkansas Symphony Orchestra chorus for four years, updated some of the music and wrote three of the songs in the show.

    McEarl and Reed are now de­voting some of their time to rais­ing money, since the show is not yet what they consider a finished project. The nonprofit corpora­tion is accepting tax-deductible contributions at (Witness Productions Inc. P. O. Box 6434 Hot Springs, AR 71902-6434,  (501)623-9781 current contact info) (The am­phitheater is available for rental to anyone who might want to pre­sent "wholesome, family enter­tainment" during the time when The Witness is not up.)

    "We didn't borrow any money, but there are still debts that need to be repaid," Reed says. "The only way we've gotten as far as we have is that a multitude of volunteers from many, many churches gave of their time. It's really gratifying that so many churches, community leaders and government all came together and helped the show."

ECUMENICAL CAST

   

The level of ecumenical peace has been something to see, Reed and McEarl say.

    "I looked on stage one night, and I don't arrange people by de­nominations, but by their vocal blend," McEarl says. "But I no­ticed a charismatic lady with a Baptist lady on one side and a Catholic lady on the other. I just knew that had to bless the heart of God that we could be unified together to praise him."

    Even though The Witness is a warm-weather operation, with the show set to go on hiatus at the end of October, the show will do a few things during the Christmas sea­son, including a live manger scene on the lawn of the Arkansas School for Mathematics and Sciences (the former St. Joseph's Hospital) dur­ing the city's holiday celebration, participation in an American Asso­ciation of Retired Persons program and as part of a production Dec. 5-7 at The Witness' old home, the Mid-America Amphitheater.

    "Now if I can just get the Os­borne family to put some lights up," Reed laughs.

 

 

Award presented to The Witness Productions % Pat Reed July 26, 1997 by Governor Mike Huckabee

http://www.witnessproductions.com/

 

Pat Reed's email address patjohn@cablelynx.com

 

 

 

The information posted on the Reynolds' Archives may be used for non-commercial, historical, and genealogical purposes. It can be freely downloaded by researchers and those interested in our family history. It can not be used otherwise without my written permission. When using this material, make mention of this web site as your reference and the source notes found on each home page.